Music's Biggest Problems

And the highest leverage opportunities in music

Welcome, artists & builders.

Today is all about the biggest challenges we face in the music industry, real or perceived. Let’s get into it.

Inside Issue #39

đź’ˇ The 39 biggest problems in music
🛠️ The current pre-sale system fails artists
🤔 Music’s 3 possible futures

Music’s Biggest Problems

Problems are opportunities and the music industry has plenty.

So, I asked 35,000+ people “what’s the biggest problem to solve in music?”.

Here are the most common answers (and how I view it):

  1. Music has been devalued

  2. Streaming/Spotify

  3. Artists don’t know who their fans are

  4. Oversaturation of music—too much noise

  5. Lack of real artist development & investment

  6. The industry prioritizes numbers over artistry

  7. Everyone chasing virality instead of real growth

  8. AI training on copyrighted material w/o permission

  9. Payment rails for AI-generated derivative works

  10. The music royalty blackbox

  11. Stan culture & its toxicity

  12. Platform dependence

  13. Death of traditional A&R

  14. The rising cost of touring

  15. Nothing works

  16. Pay structures that don’t reward artists equitably

  17. Shrinking revenue support for middle-class artists

  18. No standardized metadata creating a global data mess

  19. Decline in music quality, songwriting & production craft

  20. Too much gatekeeping

  21. Too few gatekeepers (& not enough gates)

  22. Algorithms discouraging exploration

  23. Algorithms dictating success

  24. No human curation

  25. Too many middlemen

  26. Too many platforms to navigate

  27. Constant need for self-promotion

  28. Lack of knowledge resources for artists

  29. A misunderstanding of how to build real businesses

  30. Misaligned incentives between artists, platforms, labels, and fans

  31. Grassroots music venues closing, reducing opportunities for emerging talent

  32. Overcomplexity & opacity block new entrants from creating or innovating

  33. Lack of emphasis on storytelling, community, and connection

  34. Lack of new models that meaningfully monetize fandom

  35. Mental health challenges for artists and teams

  36. No incentives for fans to go deeper

  37. New artist discovery is broken

  38. Erosion of music education

  39. Streaming fraud

Some great ones here. Others I reject.

But here's the thing:

Every problem is an opportunity.

That’s what’s beautiful. We're never done. There will always be things to make better.

The music industry was left for dead 20 years ago & along came streaming to bring it back to new heights. Now that, the internet & more have caused a new set of problems that we now have the OPPORTUNITY to improve upon.

Each era brings a new set of challenges that feel impossible to solve—until someone does.

Almost every day I talk to a founder tackling these challenges, or an artist creating in new ways, or someone in the industry rethinking whats possible.

It’s inspiring.

Because we all know we’re in the midst of a major shift in music.

It’s up to the artists & builders solving these problems—and creating new opportunities we’ve yet to imagine—to shape a better future.

I promise you there’s far more good than bad.
Tomorrow will be better than today.
We just have to build it.

Just don’t forget about the fans

Almost no one mentioned the fan experience. And if history shows us anything, transformational shifts in music follow what’s best for the consumer—not the artist.

Most solutions that aim only to solve artist problems without also considering fan’s want are bound to fail.

The last decade pursued the laid-back listener, as that was the biggest opportunity. Now, the focus is the lean-in experience.

So, what do fans want?

More personalized experiences. To be rewarded. Recognized. To self-express.

They want interactivity.
Co-creation.
Authenticity.
Storytelling.

Connection to artists.
Connection to each other.

They want to be part of something.

The highest-leverage opportunities in music?
  1. Creating the lean-in fan experience for discovery, connection and community—that is not siloed to a single artist.

  1. Finally understanding artists are small businesses and delivering them the tools, knowledge & teams to run more sustainable careers.

Solve these, and solve many of the problems above.

- Rob

PS: Question for you – who are the artists & builders you see building this future? I’ll share the best in an upcoming newsletter.

📚️ My 3 Favorite Reads This Week
  1. The current pre-sale system fails most artists & fans (and how Oasis & Lana Del Rey are blueprinting a new way), by Rob Sealy for IQ-Mag

  2. Music’s 3 Futures - A Manifesto for an artist-centric music business, by Keith Jopling

  3. 3 Lessons from Successful Campaigns, by Dylan Brewer / Fraudulent (the link was broken in the last edition, so I’m adding back here)