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Music's Biggest Problems
And the highest leverage opportunities in music
Welcome, artists & builders.
Today is all about the biggest challenges we face in the music industry, real or perceived. Let’s get into it.
Inside Issue #39
đź’ˇ The 39 biggest problems in music
🛠️ The current pre-sale system fails artists
🤔 Music’s 3 possible futures
Music’s Biggest Problems
Problems are opportunities and the music industry has plenty.
So, I asked 35,000+ people “what’s the biggest problem to solve in music?”.
Here are the most common answers (and how I view it):
Music has been devalued
Streaming/Spotify
Oversaturation of music—too much noise
The industry prioritizes numbers over artistry
Everyone chasing virality instead of real growth
AI training on copyrighted material w/o permission
The music royalty blackbox
Stan culture & its toxicity
Platform dependence
Death of traditional A&R
The rising cost of touring
Nothing works
Pay structures that don’t reward artists equitably
Shrinking revenue support for middle-class artists
No standardized metadata creating a global data mess
Decline in music quality, songwriting & production craft
Too much gatekeeping
Too few gatekeepers (& not enough gates)
Algorithms discouraging exploration
Algorithms dictating success
Too many middlemen
Too many platforms to navigate
Constant need for self-promotion
Lack of knowledge resources for artists
A misunderstanding of how to build real businesses
Misaligned incentives between artists, platforms, labels, and fans
Grassroots music venues closing, reducing opportunities for emerging talent
Overcomplexity & opacity block new entrants from creating or innovating
Lack of emphasis on storytelling, community, and connection
Lack of new models that meaningfully monetize fandom
Mental health challenges for artists and teams
No incentives for fans to go deeper
New artist discovery is broken
Erosion of music education
Streaming fraud
Some great ones here. Others I reject.
But here's the thing:
Every problem is an opportunity.
That’s what’s beautiful. We're never done. There will always be things to make better.
The music industry was left for dead 20 years ago & along came streaming to bring it back to new heights. Now that, the internet & more have caused a new set of problems that we now have the OPPORTUNITY to improve upon.
Each era brings a new set of challenges that feel impossible to solve—until someone does.
Almost every day I talk to a founder tackling these challenges, or an artist creating in new ways, or someone in the industry rethinking whats possible.
It’s inspiring.
Because we all know we’re in the midst of a major shift in music.
It’s up to the artists & builders solving these problems—and creating new opportunities we’ve yet to imagine—to shape a better future.
I promise you there’s far more good than bad.
Tomorrow will be better than today.
We just have to build it.
Just don’t forget about the fans
Almost no one mentioned the fan experience. And if history shows us anything, transformational shifts in music follow what’s best for the consumer—not the artist.
Most solutions that aim only to solve artist problems without also considering fan’s want are bound to fail.
The last decade pursued the laid-back listener, as that was the biggest opportunity. Now, the focus is the lean-in experience.
So, what do fans want?
More personalized experiences. To be rewarded. Recognized. To self-express.
They want interactivity.
Co-creation.
Authenticity.
Storytelling.
Connection to artists.
Connection to each other.
They want to be part of something.
The highest-leverage opportunities in music?
Creating the lean-in fan experience for discovery, connection and community—that is not siloed to a single artist.
Finally understanding artists are small businesses and delivering them the tools, knowledge & teams to run more sustainable careers.
Solve these, and solve many of the problems above.
- Rob
PS: Question for you – who are the artists & builders you see building this future? I’ll share the best in an upcoming newsletter.
📚️ My 3 Favorite Reads This Week
The current pre-sale system fails most artists & fans (and how Oasis & Lana Del Rey are blueprinting a new way), by Rob Sealy for IQ-Mag
Music’s 3 Futures - A Manifesto for an artist-centric music business, by Keith Jopling
3 Lessons from Successful Campaigns, by Dylan Brewer / Fraudulent (the link was broken in the last edition, so I’m adding back here)